I work at the seam where the humanities meet the technologies now remaking how we research, write, and know.
Much of my work is in designing research ecosystems for novice historians, building the communities of inquiry and the blend of artisanal craft and emerging literacies through which young scholars learn to author their own thinking rather than outsource it. I also guide institutions through the shifts AI is forcing on teaching and research, helping them surface the hidden assumptions in how they frame writing and inquiry, and design for the productive friction that real understanding requires.
I teach Modern European History, ethics, and epistemology, and I designed the course Digital Culture & Modern Power. I conceived and co-lead STAIR, a study of how students experience learning and authorship in the age of AI, and I work with faculty and organizations, including JSTOR, on what research should look like now. My research has taken me from the Vatican Apostolic Library to the railway archives of Ireland. Earlier in my career I coauthored research on the digital divide at the Pew Internet & American Life Project, and I hold an M.A. with honors in Communication, Culture & Technology from Georgetown, where I studied under Randy Bass at the Center for New Designs in Learning and Scholarship.
The capacity for what we can know has been amplified beyond measure. How we come to know, and how we come to know ourselves in the process, has not. It remains slow, embodied, unforceable.
That question is the cornerstone of the next pillar of knowing, the one our moment must build as surely as earlier ages built their libraries and their halls. I am among those building it.
The book
I am at work on a book of literary history recovering my grandmother and father's history in twentieth-century Ireland and England, and the interlocking systems that nearly erased them.